True North — part 2

John Bensone - http://www.flickr.com/photos/13836948@N04/2063746235

“OK,” you say, “so what exactly is literary true north? If you’re so unflappable, point the way.”

I have two responses to this question. When the story meanders, when we can’t see the forest because we’re in the thick of it, there’s the easy answer and the hard answer. And both are correct and necessary.

First, I spent over five years writing “The Crying Chandelier.” I over-wrote and over-researched the piece. It was my first full-blown novel and I was writing from heart, scraping and clawing for good, better, and then the best words, phrases, dialogue, metaphors, description. “The Agony and the Ecstasy” pins down the process perfectly, agony being the operative word.

When I finally finished, seven rewrites later, I had so much material I didn’t know what to do with it. Sure, as a novel it was amazing, as a marketable product it was a monster! Fortunately, the manuscript breaks beautifully into three segments, and with some painful but rewarding clean-up I found I had produced a trilogy. But I will never make that same mistake again!

Debunking the left-brain,  logical writing process, I had turned my random right-brain loose. Creativity in itself is directionless. It wants to be free and own the sky, but it needs perimeters, it needs to be tethered, or in this analogy, it needs a V formation and a lead pointing the way.

Flap at it as much as you will, you need to learn my lesson: Have a general outline and plot points in mind before you begin, with approximate page numbers as target points.  If your quest is to publish, then you must know your genre and the acceptable word count publishers require in it.

The second response actually comes from Keith Nichols, a friend I knew two decades ago in Forest Grove, Oregon. To say I was at a critical juncture in my life is an understatement. My situation was desperate. I won’t go into personal details, but when he confided that “No one should treat you like that, sis,” I was baffled. “Like what?” I pleaded, racked with undeserved guilt and blame in an abusive relationship. And then he said something I have never forgotten. “If you don’t know, I can’t tell you.” Though I desperately wanted someone to think for me; to make me see my own worth and how I ought to be treated, no one could. Keith was right. If I couldn’t see it myself, no one could show me.

And so begs the question, can this innate writing instinct, like those free yet decisive geese, be developed? Is it only in-born? Well, for fowls, yes, for humans, I don’t know. There’s a reason the main author advice is to read, read, read, and then to write, write, write. You can go to conferences and take meticulous notes, you can study every book on the craft, and you can read every author’s blogs, but ultimately an uncanny transcendence has to take place in some indefinable place inside you. There surfaces this awareness, this sense, this instinct for the story and its pacing, direction, and outcome.  It isn’t something someone can tell or show you any more than the color red can be described to a person who’s been blind since birth. It must be experienced.

The elements, the nuances, and the rhythm of the story takes form into something more than just story. The characters become more than just figures, setting becomes more than just props, and the story itself swells with a life of its own. What was once merely imagined becomes something more than just a tale. It becomes real in the upper reaches of our minds. It becomes meaningful, even powerful. And its power is that of change. It leaves an indelible imprint in the reader’s mind. It’s as if the reader becomes a part of the formation and takes flight with us. True north becomes more than a destination; it becomes a boundless journey for both the writer and reader.

I believe everyone has an internal compass. Whether your internal needle points toward the craft of writing, only you know. But wherever your compass points, I hope that you have the courage and stamina to find your own true north, and that your craft sets you free.

 

Arrows in the Sky–The Career

(Charles Livingston Bull)

On a frozen morning I was surprised by several flocks of geese as they flew over my roof and toward True North.  I laughed out loud, as if answering their honks, as I watched them coast over the atmosphere in their V- formation.  I wondered, “What is it about these birds that is so extraordinary?”

I’m rapt when I see a Mountain Blue Bird.  So vibrant, its hue is all but neon, and I can hardly take my eyes off of it. And yet geese are different. They don the blandest of colors--gray, white, black.  They’re rather penguin-ish when they wabble-strut around the ponds, and their bobbing, angular necks can make them appear misshapen. And yet they are transformed when they take flight; graceful, purposeful, unified.  More than that, their sense of true north, that mysterious compass dial in their heads, is miraculous. The pretty birds and their songs are enjoyable, but these plain-looking geese are impressive, and I was captivated and inspired as I watched them float toward the horizon.

Standing in the kitchen, feeling somewhat left behind, I decided that writing should be like those otherwise ungainly fowls, now flying in an upper realm, free, undeviating, and in good form. And more than that, they work as a team; noncompetitive, each taking a turn in the lead position. By sharing each others draft, honking out encouragement, and watching out for the weaker or wounded, they can fly 71 percent farther than birds that fly solo.

As authors, perhaps we would do well to learn from these geese. Envy, discouragement, and impatience will weight us down and isolate us, leaving us to fly the not-so-friendly skies alone. Rather, we should encourage each other, look out for one another, and spend time in the wake of leading authors. We can be lifted higher in our craft as we study good published works. We can find a reprieve from self-doubt, gain strength in the craft, as we glean from how-to books. Nothing can replace the synergy of conferences, book clubs, and a positive writing group.

My V-formation is taking shape in my associations with my author friends, a book club that reviews my manuscripts, seminars in a local writer's association, and my librarians (gosh, I love those women!).  I especially enjoy David Farland's weekly Kick in the Pants newsletters (subscribe at www.davidfarland.net).

Like the geese who take turns, your turn will come to take the lead position. Ultimately we should be pushing ourselves to teach, inspire, and publish so that someone else can glide in our draft. And that means we have to develop the instinct for the literary True North.

Part 2: Arrow in the Sky--The Craft

If Your Book Could Talk. . .

. . . what would it say?  Would it sound like a desperate child?: “Read me, read me, read me!”

Do we unconsciously communicate our neediness? If we are publishing, or attempting to publish, not because of a love for the craft, or because we have a great story to share, but because we are using readers to boost our self-image, then it will come through in our work. Have you ever dated someone who was clingy and needy? What was your first response? Avoidance? Consider the author/reader relationship like a first date. What do you bring to the relationship?

Deeper than theme, embedded in the tone, is the resonating attitude in our work. I was defensive, always having to prove my point or justify my descriptions. Thus, I overwrote my stories, putting in details merely to justify the character. Other times I excavated my thesaurus, not in search of the right word as much as to impress my reader. Why? I unconsciously felt like I had to prove myself. Did it affect my work? Yes. Was it subtle? Yes. Did it compromise the “truth” of my story? Yes.

Consider your motive for writing. Motive is a key ingredient in every character, but perhaps the master key is our own motive for even creating the characters at all. More critical than knowing our characters is knowing ourselves.

So if your book could talk, what would it say? Validate me?  Be impressed by  me?  Buy me? Or is the writing and your personal attitude invisible in the new world you’ve created for the reader? The overall work should be silent so that characters can come to life and march into the readers mind as real as memory, dream, or even life itself.

P.S. Great writing is said to bring about a change in the reader. But for me, learning to be a great writer changes me. It is a gift I give to myself as well as my readers.

Seasons

seasons2

We often long for another season and miss the splendor and beauty of the one we’re in. Each has its own harshness; the bite of cold, the lash of rain, the glare of heat, the fading and the withering. Similar to nature are the seasons of our lives. How often we don’t appreciate the cycle we’re currently in. We many missions throughout our lives, and therefore so many seasons.

This may not be your season of publication–yet. Yours may be the season of learning and preparing; of building relationships and networking. I often have to remind myself that the joy isn’t in the destination, it’s in the journey.

A gardener exercises faith each time she plants a seed. She believes in her work every day she prunes and weeds. She assumes a harvest even if the last one failed, and she nurtures the soil and plants once more.

Regardless of our “season” we shouldn’t doubt our gifts: they will come to fruition. But we  must be willing to cultivate ideas and friendships, learn another branch of the craft, prune and rewrite the draft, and plow through editor/agent lists. And then do it all over again if the first harvest fails.

The seasons of our lives are certain, the harvests are up to us. It’s our patience, discipline, and willingness to make sacrifices that comes into question.

The Two Cities of Christ

The Two Cities of Christ

C.J. Martin – 1985

 

Rome, Babylon, Alexandria—great cities of the kings—

Tonight, within their palaces, their names maidens sing.

Their armies stand countless, their broad streets full

Of thousands dressed in gold and jewels and dyed wools.

 

But it isn’t their name, Bethlehem, which sings from angels’ lips,

For you are the chosen city to end our spiritual eclipse.

In your shadowy stable a virgin in pain now lays,

Travailing in her husband’s arms on a bed of dirt and hay.

 

‘Tis in thy clay houses poor dwellers unknowingly sleep,

As angels breathlessly their rejoicings keep,

Awaiting the Savior’s divine, miraculous birth.

Israelite city, least of them all, soon thou are the first!

 

For four thousand years prophets and saints have dreamed

Of the holy child that this virgin will soon bring.

Forty hundred years of faithful waiting, year after year,

Dissolves now into minutes as angels wait to appear.

 

The silvery moonbeams brighter across the stable floor

And lays upon Mary’s face as she bares down once more.

The sky deepens its midnight hue as wisps of clouds disperse.

The earth has paused with awe and the wind has ceased its whispers.

 

 The moonlit Great Sea waves now kneel upon Judean shores,

And even time in reverence closes this moment its door.

In your humble city, Bethlehem, the hour hangs, suspended,

Awaiting the moment when man’s darkness is forever ended.

 

Joseph’s hand grips hers as from the stable she cries,

And choirs of light-robed angels rain in thy skies.

A radiant star bursts forth with brilliance in the night

And dances above your stable glowing with God’s holy light.

 

From Mary’s womb comes God’s own Son to this mortal sphere

To bring us truth and joy here in this veil of tears.

Shepherds rise with awe and fear from thy grassy plains

As Wiseman kneel upon this earth, never again the same.

 

Now Bethlehem, throughout the universe your name is known.

Your walls sheltered Jesus; from you his glory has shown.

City of prophetic dreams: city of the sacred birth—

Israelite city, least of them all, now you are the first!

                                                * * *

New York, Paris, Berlin, Geneva, London, Rome;

Your neon lights glare on your cathedral domes.

Your paved streets are ribbons of glaring auto lights.

Great now is your fame in this latter-day night.

 

 But because of Bethlehem, first city of our Christ,

We dream of his second city, whose name does always entice

Us to envision the splendorous beauty of its wealth.

A city whose architect, engineer and ruler is Jesus, himself.

 

The tides will rush with joy and the winds will shout his name.

The stars will leap in the heavens as trembling rocks proclaim

The triumphant arrival of Zion’s ruler as legions of angels sing

In unison with the saints of Christ, “Hosanna to the King!”

 

So Christmas should be for us, the saints of the latter-days,

Not just thoughts of Bethlehem, but of seeing Christ’s own face.

For soon in robes of light we’ll throng the city of our king,

Then let us of Bethlehem and Zion joyously sing!

 

Out of Bethlehem, wrapped in Mary’s arms, he did ride,

And into the world he entered and for us was crucified.

He burst the chains of death and rose victorious from his grave,

And soon he comes home to reign—perhaps he will arrive on Christmas Day.

Cradle of the Heart

 Cradle of the Heart

by C. J. Martin

              I  looked up and suddenly found myself standing in my flannel nightgown outside some ancient Middle Eastern town.  It was dark. Thick clouds piled across the sky. Wind pushed and pulled them apart, unveiling the most magnificent and massive star I had ever seen. Gasping, all I could do was stare at it. Was it a comet? But no, it was stationary, and yet how could a star look so big? This orb pulsated, as if breathing light. What was it? And where was I? Why was I here?

            Shock threw my gaze around, taking in the foreign surroundings. Behind me, clay houses crouched and huddled, all dark and silent. Before me were hills rolling out in an undulating series of fields, dotted with white rocks. And then some of the rocks moved. No, they weren’t rocks, they were sheep. 

How did I get here? Before my mind could form a single possibility, the star was outmatched by an even brighter, all but blinding, light. It poured down through what appeared to be a hole in the vault of the sky. This was not moonlight!

            As my eyes adjusted I began to make out forms in the light. Impossible. But there they were, real as life, wearing shimmering white robes: people. There was a host of people in the sky!  And then they started singing, singing “Glory to God in the Highest” with such magnitude that their voices echoed off every tile on every roof and resonated in my bones. I trembled, whether from the force of so many voices or my reaction to them, I didn’t know.

            I stood with mouth open, heart dancing. Soon these dirt streets would be flooded with citizens bursting out of their dwellings to see this air-born choir.  I turned, ready to beacon the crowds toward me, but the streets remained empty.  Someone else had to see this!

Unable to contain myself, I ran down the slope, looking for a shepherd–somebody! When I found myself at the bottom, standing in the mouth of a cave, I realized that the first hill was in fact hollow. 

            More shocking were the people inside. Though they didn’t wear radiating robes, they were stranger still. I must have gasped as several men turned around, and upon seeing me appeared to be equally as shocked. They just stood there, agape, staring back, wearing silken robes and jeweled turbans. Just beyond them huddled some Arabic or Israeli men in course, bland tunics.

            Startled, I jumped back when a donkey brayed, and looking in its direction I saw it tied up to a post, and beside it were geese penned in against the stony wall and a cow munching straw.  Shadows jerked and flickered from a small light. They all stared back at me as I stood stock-still, smelling wet animal hair, perfume, hay and smoke from a burning clay lamp.

            Rain started falling over the cave opening, hitting my back, and it was then I heard a woman crying.  It was the sobs of a mother.  It was a heart-wrenching sound.

            “Why is someone crying?” I asked.  They all continued to stare at me; the Arabs with their sparkling foreheads and black mysterious eyes; the shepherds with their shaggy beards and creased faces. Looking down, I wondered how I could explain my flannel night gown, but oddly they didn’t seem to even notice my attire. Instead, their eyes were forlorn and fixed on my eyes, as if they sought some urgent answer from me.

            “Was it only a myth?” trembled the lips of an Arab.

            “Could the angels have lied?” a man with a staff choked.

            Even the sheep baaaa-ed at me as if asking a similar question.

           Their sandals stepped back and I saw another man crouched on his knees, his strong large hands gripping a trembling woman’s shoulders as she sat leaning against him. Her dark hair was slivered with straw as the tresses fell over her shoulders. She wept beside the feeding trough, a manger, carved out of the rock wall.

            There in the straw-filled manger was an empty linen cloth with the depression of a tiny human form where her infant had lain. She raised her swollen eyes and trembled,

            “My baby!  Where is my baby?”

            All the strangers looked at me.  Rain poured outside as memories poured in my mind.  My tears stung as they trickled down over flushing cheeks.  This woman’s lips quivered again,

            “Where is my child?”

            My body shook: I knew the answer.  “I—I—los—I lost him.” Blood seemed to turn to shame as it flooded my being. “I lost him.” And I knew exactly where. “I lost him in the holiday crowds.  I lost him while wrapping boxes.  I lost him in the parties and stress of doing everything right.” My eyes skirted from their probing, disbelieving eyes.

            “I held him close—at first.” I weakly tried to justify.

            Just like this Israeli town, throughout my hurried, self-indulgent days, I too “slept” while angels sang.  I looked into the pleading pain-filled eyes of the infant’s mother and had to confess, “I don’t know what happened. I had him in my arms. He was amazing and beautiful. And then something happened. As the years past I –I lost him. I lost your baby!” 

            I turned and fled out into the rain, hitting my hair and gown like pounding tears, and I ran up the hill and fell into the soggy grass.

 

            I bolted up.  The cave and its flickering light were gone. It was still dark but I could see that the grass had changed to floral sheets. Now the glowing red numbers of a digital clock was all that glared at me. Clock? Sheets? Of course, it was just a dream. I sighed the sigh of my life.  I wasn’t wet with rain, I was wet with my own sweat.

But even as I realized that the Israeli mother was only a dream, another horror seized me.  My baby!  Where was my child?

            I ran down the hallway into his room and grabbed my surging heart with relief.  There, tucked under his blanket was my gently sleeping child.  I adoringly caressed his soft head and felt his tiny back rise and fall with each slumbering little breath, yet I was still not at peace.  I had lost a child; a precious newborn boy.

            I forced myself down the dark hallway and into the living room where I stared at the Christmas lights blinking on the pine tree.  The presents were piled in red and green and gold as if burying a truth underneath.

            What was I to do?  Throwing all this tradition out in the snow wouldn’t bring the baby back.  Was I to take a plane to Israel and look for an empty cave? As if an invisible hand gripped pushed me, I stumbled to the coat closet.  Reflexively, I slid my bare feet into snow boots,  d my arms into coat sleeves. There in the back of the closet were two coats I was putting in the trash in the morning.  They were perfectly good, merely unwanted, and I reasoned I didn’t have time to take them to the thrift store.  The trash can was their fate. 

            I seized them and my purse and found myself driving down dark city streets. There it was.  I pulled over to the curb and shut off the engine.  Impulsively, I ran across the sidewalk and through the old wooden door with the coats. And then, not two steps inside, I stopped. I was standing in a room full of cots.

            The streetlight glowed through the cracked window and revealed a room full of homeless people sleeping here on Christmas Eve.  For them there were no presents under a tree.  No family feast waiting, no sparkling plate of sugar cookies at their door.

            Then I spied them on the floor:  a sleeping mother and child lying in a shadow.  I crept over to them, like a shadow myself, and laid the coat over the mother who had neither cot nor blanket.  I knelt down and laid the other coat on the child, shivering on the cold floor.  I lifted her slowly into my arms.  More than my coat, I gave my warmth.  She nestled her face into the crook of my arm.  I leaned my head against the cinder block wall and my sore eyes gratefully closed. 

            Say it was only another dream, but I’m sure I did smell straw and animal hair again.  I walked into the stable cave in my plaid gown and snow boots.  All eyes of the visitors flew open as I held the Christ child in my arms, his body warm against mine. 

            The woman leapt to her dirt covered feet, tears of relief and elation springing from her swollen eyes.  Her husband stood, lip trembling. The Arabs dropped to their kingly knees. The shepherds’ eyes filled with understanding of the glorious song from the angelic lips and they, likewise, lowered to a knee for this babe was more wonderful than all the hosts of angels.

            I looked down into this baby’s face.  His eyes looked up into mine.  His tiny fingers wrapped around my finger.  His tiny lips, his dark eyes, his thin black hair, were precious beyond description.  I held my infant Savior in my arms.  He closed his eyes to sleep as I gently laid him in Mary’s arms but still and forever I cradle him in my heart.

Reflections

“Reflections”

(2009)

 

Concrete step beneath me;

palms growing cold

 as I grip the edge,

holding on

for dear emotional life.

 

Worse than falling

Is the feeling

of emptiness

so great

so deep

so hollowing

I     could        drift              away                   into                                  oblivion,

unable

             to cast

                                                  a shadow.

 

A hand—warm—lays on my hair.

My cold eyes look over

And I see Him suddenly sitting beside me.

His hand slides

down

to

my

shoulder,

drawing me in to Him.

 

I feel the warmth of His body.

He doesn’t leave,

even when I

lean away,

ashamed,

unworthy,

inconsequential.

 

Instead, His eyes capture mine

and in them I see

reflections—

not of the tree shivering beside me,

not of the moon straining over the eave,

not of the stars patterned on the window behind me.

 

In His eyes I see time.

 In His eyes I see space.

  In His eyes I see worlds.

   In His eyes I see myself

 

–raised on wings of glory,

being led by the hand that now

grips my back

with warmth and aching:

aching for me.

 

Reflected in His dark brown eyes

I see cosmos, galaxies, nebulas, suns, worlds,

civilizations, towers, walls, gates,

cultures, people,

and then

at last

a

          new

                       crystalline

                            world . . .

                                                                  . . . and me

                                                                     there with Him . . .

                                                                                                                          . . . forever.

 

In His eyes I again see

myself,

taller,

hair flowing,

glowing from my core.

 

Reflected

in His eyes

I see

my eyes

shining

and reflecting

Him.

“Wings”

“Wings”

(1995)

Like a dove quivering in my palm, they nestle—

Heartaches, fears, hopes, secret thoughts.

 

Caught behind the glass of doubt and distorted self-reflection,

This “dove” wrestles to fly on restless breath—

 

To capture shafts of light as they spill from unseen heights,

To soar in rapture and flee to a lofty solitude.

 

My mind sits and stares at the glare on my soul’s window.

Through the “glass” a world swirls around me, oblivious

 

To all the emotions that lay perched

On the sill of my dreams.

 

Pressing palms against the cold glass,

Stars glimmering between my fingers as if in my grasp,

 

My feathery eyelashes fold together.

Like rising wings, my lips part,

 

 

And a soul’s window flies open as

 words take flight above the night

 

And alight on the autumn air, and beyond.

Tears have become stars upon my breast

 

As ambitions, dreams, fears, longings, and soul-bright love

Soars upward, as if on moon-shimmered wings,

 

Up through the gray-blue blanketing mist,

Past the stars lighting my way

 

Like jeweled stepping stones home

And this “dove” ascends to nestle, safe, in Thy timeless hands.

 

A Daughter’s Poem

“A Daughter’s Poem”

(A love letter to her Father)

(1982)

  

More is known of distant worlds

and lost treasures

Than of the greatest mystery:

who are You?

And what do I know of You

except that You are  God?

 

I can see where You pointed and gave birth to each star.

I can see where You breathed and hollowed out canyons.

I can stand upon mountains that rose at Your command.

I can inhale the scent of Your gentleness in wild flowers.

I can chase a cloud of birds You created with a glance.

 

I may marvel and walk through Your seasons:

 

                                                           See light leak

                                                through brilliant autumn leaves

                                                and witness the  miracle of color.

                          Stand in awe

            before a mountain range of snow

            and behold nature’s wedding dress.

                                                     Wade through a spring

                                                    as choruses of birds sing

                                                    a timeless cantata to their King.

                                   Lie in silk-soft grass

            as strands of cotton weave across the sky

            a floating carpet at Your Majesty’s feet.

 

But still I won’t know who You are.

  I may stand upon Your tallest peak,

I may swim out into Your ocean depths,

I may look deep within a rose

Or even move through Your skies,

 

But I still won’t know the color of Your eyes.

 

And yet, as I stand in the midst of this planetary world,

I begin to realize that as You created earth—

My present forest and desert and mountainous home—

From the depths of a God and a Father’s heart,

You created my soul

 

And placed within it

    the mystery of Your heart

      and the potential

         treasure of Your knowledge.

 

So perhaps my life upon this sphere

                   is to search within this soul,

                                and see, not a creation,

                                                     but a daughter—

 

–and know that embedded in every cell

                                          is the fingerprint of my Father.

  

And to hope for that day

when I shall awaken

on the other side of dawn,

to take Your hand

and find that we have become

 

One.

Inflorescence

“Inflorescence”

 

The night is precious,

budding with memories,

as I kneel to smell

a pure white rose.

 

There, captured in its petals,

whispers an enchantment

that peeks from the covers

of my soul.

 

Here in the romance

of a southern night

is the song of longing

from a nightingale,

singing the notes

of timeless gold.

 

I smile at the thought of him,

and enjoy the fragrance

of the memories

inside the bud.

 

The lake sparkles brightly

as a willow kneels overhead

to the sounds

of this nightingale

singing to

the rose.